Laurène Smith

Objecthood is a series of performative photographs that explores the fragility and tangibility of the human body, and creates a relationship between the body and physical spaces. The human body is compared to sculptural materials such as marble, ceramic, and plinths, and has been painted white to appear as a sculpted piece itself. As a result, the body becomes one with the objects it interacts with, and performs objectivity by assimilating into sculptures.